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The site sits in a moment of acute precarity, threatened physically through demolition and redevelopment, and culturally through erasure of the pioneering community legacy. This exposes ongoing value and heritage exclusion, revealing how Black British histories are systematically undervalued within planning, conservation, and regeneration frameworks.",[],{"_key":248,"_type":221,"children":249,"markDefs":254,"style":230},"a983770eac71",[250],{"_key":251,"_type":225,"marks":252,"text":253},"b523bb9653c9",[227],"Through policy interrogation, the Bridge Park Think Tank examines the conditions that frame Bridge Park’s vulnerability. We challenge “False-Choice” urbanism, rejecting the narrative that demolition is the only route to progress. Instead, we argue for continuity, care, and repair as generative and legitimate urban futures. 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Deborah’s talk explains how DSDHA engaged the Smithsons’ research from the time of construction to create a constructive dialogue that merges a celebration of modernism with a discursive analysis of evolution and change within architecture.",[],"2024-09-17","Alan Baxter Gallery ",[1150,1152,1155,1157],{"_key":1151,"_ref":1016,"_type":324},"249a5ec1ba41",{"_key":1153,"_ref":1154,"_type":324},"db79a05eb563","e2bd2414-4391-4662-9bf4-4a9984a4e98e",{"_key":1156,"_ref":1060,"_type":324},"343bf90cd1dd",{"_key":1158,"_ref":996,"_type":324},"0f66d0d38e53","Deborah Saunt","Docomomo UK","The Economist\u002FSmithson Plaza",{"_type":547,"asset":1163},{"_ref":1164,"_type":34,"_weak":464},"3358cdae-b06c-41b9-a404-64017d3aac35",[1166],{"_key":1167,"_type":221,"children":1168,"markDefs":1172,"style":230},"6fc261cd0c70",[1169],{"_key":1170,"_type":225,"marks":1171,"text":1160},"99b6ac66b62a",[],[],{"_createdAt":1174,"_id":1175,"_rev":1176,"_system":1177,"_type":61,"_updatedAt":1180,"aboutTheAuthors":1181,"authors":1253,"body":1254,"color":6,"date":1314,"pdf":1315,"relatedItems":1318,"slug":178,"subtitle":1321,"title":1322},"2024-04-03T09:32:10Z","3756d415-f425-49fe-aec3-8fe5fd25f4af","JLg9PnhX306B5hxUgubq1P",{"base":1178},{"id":1175,"rev":1179},"F1GoUQasCKLkgdIdkfr6Ih","2026-03-02T11:38:38Z",[1182,1211,1230,1238,1246],{"_key":1183,"_type":221,"children":1184,"markDefs":1206,"style":230},"2e846dea0cd2",[1185,1189,1193,1197,1202],{"_key":1186,"_type":225,"marks":1187,"text":1188},"3f54a777613a",[],"Following in the footsteps of Denise Scott Brown, Zaha Hadid, Toshiko Mori and Yolande Daniels, in Autumn 2020, ",{"_key":1190,"_type":225,"marks":1191,"text":1159},"5550106410f6",[1192],"03821f840051",{"_key":1194,"_type":225,"marks":1195,"text":1196},"4bd845b55c46",[]," was appointed Eero Saarinen Visiting Professor of Architectural Design at the ",{"_key":1198,"_type":225,"marks":1199,"text":1201},"1d62f53d9b0a",[1200],"8326d867e6e2","Yale School of Architecture",{"_key":1203,"_type":225,"marks":1204,"text":1205},"fb5728bccbf0",[],".",[1207,1209],{"_key":1192,"_type":824,"href":1208},"https:\u002F\u002Fwww.linkedin.com\u002Fin\u002Fdeborahsaunt\u002F",{"_key":1200,"_type":824,"href":1210},"https:\u002F\u002Fwww.architecture.yale.edu\u002F",{"_key":1212,"_type":221,"children":1213,"markDefs":1227,"style":230},"da0541236120",[1214,1218,1223],{"_key":1215,"_type":225,"marks":1216,"text":1217},"71b9c1fc7ed2",[],"After production delays caused by numerous lockdowns, we're pleased to be able to finally announce that Yale selected Deborah's Advanced Design Studio, 'What about Learning?', to be produced in book form by the architectural publishers ",{"_key":1219,"_type":225,"marks":1220,"text":1222},"54871eb3a4cb",[1221],"ac6544aca156","Actar Publishers",{"_key":1224,"_type":225,"marks":1225,"text":1226},"7dc074e7a377",[],", and that the book is now available for purchase!",[1228],{"_key":1221,"_type":824,"href":1229},"https:\u002F\u002Factar.com\u002Fproduct\u002Fwhat-about-learning\u002F",{"_key":1231,"_type":221,"children":1232,"markDefs":1237,"style":230},"c9eb2a0d4a9d",[1233],{"_key":1234,"_type":225,"marks":1235,"text":1236},"b56da2000674",[],"With global pandemics, social injustice, and the climate emergency posing urgent questions to education and its role in shaping democratic life at large, both what and how we learn are political questions that are mediated through spatial conditions — we challenged our students to take learning outside existing privileged enclaves and consider a twofold architectural question: What is the best site for learning today? What are the alternative forms of learning and exchange that it could nurture?",[],{"_key":1239,"_type":221,"children":1240,"markDefs":1245,"style":230},"e306aa256a6c",[1241],{"_key":1242,"_type":225,"marks":1243,"text":1244},"95b0a2108384",[],"The Eero Saarinen Visiting Professorship was established in 1984 through the generosity and efforts of the architect Kevin Roche in honour of Eero Saarinen, who received a B.Arch. from Yale in 1934. This endowed chair enables the School to invite a distinguished architect to teach a design studio each term.",[],{"_key":1247,"_type":221,"children":1248,"markDefs":1252,"style":230},"3566b8dec18c",[1249],{"_key":1250,"_type":225,"marks":1251,"text":873},"d3a208f50158",[],[],"DSDHA & ADS1109 Students",[1255,1263,1271,1279,1287,1295,1303,1307],{"_key":1256,"_type":221,"children":1257,"markDefs":1262,"style":230},"c366d7c9921f",[1258],{"_key":1259,"_type":225,"marks":1260,"text":1261},"0c3a5964609f",[],"An excerpt: ",[],{"_key":1264,"_type":221,"children":1265,"markDefs":1270,"style":230},"e5a86c932247",[1266],{"_key":1267,"_type":225,"marks":1268,"text":1269},"55aeb21e9ff90",[],"Introduction by Deborah Saunt, Eero Saarinen Visiting Professor",[],{"_key":1272,"_type":221,"children":1273,"markDefs":1278,"style":230},"ad4bb844c0d8",[1274],{"_key":1275,"_type":225,"marks":1276,"text":1277},"8097143acbbb0",[],"Operating between academic discourse and the realities of practice, lived experiences, and co-produced knowledge, the “What About Learning?” advanced architecture studio at Yale asked how we can better share knowledge of our built and natural environment. As much as the studio was interested in the historic urban fabric and the physical context of a site, it also championed strategic research and thinking that also considered the nonphysical networks and less tangible conditions and behaviours that may unlock latent spatial potential to produce more radical and responsive architectures. In the process, students consciously challenged the conventions of architectural practice, pushed the envelope of the role of the architect or urban designer, and took on alternative roles such as “spatial strategists” and “designer-activists.” Valuing the inherent wealth of collective knowledge and the everyday that students brought with them to the table, the studio provided a platform for students to shape their own personal research agency and design briefs based on their individual preoccupations and understanding of themselves as both designers and citizens in the world.The influence of the studio has informed further research into the very nature of what constitutes the relevance of existing architectural education and what constitutes a school of architecture.",[],{"_key":1280,"_type":221,"children":1281,"markDefs":1286,"style":230},"95b7b4e4a421",[1282],{"_key":1283,"_type":225,"marks":1284,"text":1285},"f5902afbb41d0",[],"Underpinning the principles and methodologies of the studio was the idea of spatial justice shaping",[],{"_key":1288,"_type":221,"children":1289,"markDefs":1294,"style":230},"d9c1bc3ede26",[1290],{"_key":1291,"_type":225,"marks":1292,"text":1293},"36db2350215f0",[],"a conceptual framework that addresses the intersectionality of multiple concerns—racial injustice, environmental crisis, health in-equity, etc.—and informs more equitable spatial practices. Spatial justice, at its core, provides an opportunity for people, architects, and designers to carve out spaces that give agency and power to the seldom heard and disenfranchised and facilitates a sense of belonging for those treated as outsiders. It is about increasing accessibility and facilitating adequate representation—not just in the built environment but in the city-making process—and creating platforms for people to have authorship over their shared spaces and how they are shaped over time. Spatial justice presents an opportunity for architecture to truly serve and be informed by the needs of the diverse inhabitants of our cities.",[],{"_key":1296,"_type":221,"children":1297,"markDefs":1302,"style":230},"a0ae2daa2c6d",[1298],{"_key":1299,"_type":225,"marks":1300,"text":1301},"28815fc3b14f0",[],"Against the backdrop of the COVID-19 pandemic, the studio focused on the relationships between dispersed learning and the right to the city, uncovering and reflecting on the human cost, challenges, and opportunities made evident over the course of “remote learning” across institutions worldwide.While the global experiment of remote learning appeared to have unlocked possibilities of overcoming mobility injustices by digitally connecting more students with educational resources, it has in many ways fallen short of redistributing power between institutions and their co-located communities. “What About Learning?” is fundamentally a question about the right to access knowledge and how our cities, buildings, and public spaces are controlled and shaped, and with it, the right to participate in civic life. With the neoliberal turn in education, learning as a lifelong activity has become codified and commercialized by educational institutions that operate within existing market conditions and infrastructures of knowledge distribution. By seamlessly blending into the digital fabric of consumerist life, much of learning has lost its intrinsic relationship to the communal spatial experience of knowledge production and its ability to challenge its own complicity. Between disembodied learning and a renewed sense of civic participation on the streets, the architectural question here is, What is the site for learning today, and what are the alternative forms of learning and exchange it could nurture?\n\n",[],{"_key":1304,"_type":31,"asset":1305},"fc09a3d7474c",{"_ref":1306,"_type":34},"image-c1f2676f1bef7ed78e6de1fb40439865cae37ccd-1303x2021-jpg",{"_key":1308,"_type":221,"children":1309,"markDefs":1313,"style":230},"430449782dd5",[1310],{"_key":1311,"_type":225,"marks":1312,"text":873},"775761575536",[],[],"2024-09-01",{"_type":317,"asset":1316},{"_ref":1317,"_type":34},"file-843e0df133fad476c43898712633bdd7f4717139-pdf",[1319],{"_key":1320,"_ref":882,"_type":324},"c1002d97d0e4","Yale School of Architecture \u002F Actar Publishers ","What About Learning? ",{"_createdAt":1324,"_id":1325,"_rev":1326,"_system":1327,"_type":473,"_updatedAt":1330,"body":1331,"date":1370,"location":1371,"relatedItems":1372,"slug":157,"speakers":1385,"subtitle":1386,"title":1387,"video":1388,"videoCaption":1391},"2024-12-05T16:38:00Z","8d8bda17-ea96-49ce-bcc7-ec7198419110","09hyjy0fqGrNLYFV3baOcE",{"base":1328},{"id":1325,"rev":1329},"LUvY4YC7Z3PE2m34LsfYSn","2026-03-02T11:37:45Z",[1332,1362],{"_key":1333,"_type":221,"children":1334,"markDefs":1357,"style":230},"beb87b0d6eeb",[1335,1339,1344,1348,1353],{"_key":1336,"_type":225,"marks":1337,"text":1338},"e8827d1685b10",[],"Host Adriana Paice Kent joins DSDHA’s Deborah Saunt and British Land’s David Lockyer to discuss the innovative redevelopment of Exchange Square and its impact. The conversation was recorded and filmed at DSDHA’s studio in Vauxhall, as part of ",{"_key":1340,"_type":225,"marks":1341,"text":1343},"e8827d1685b11",[1342],"f9bf8bdb685a","Woven Voices",{"_key":1345,"_type":225,"marks":1346,"text":1347},"e8827d1685b12",[],"’ Be-Spoke Podcast by ",{"_key":1349,"_type":225,"marks":1350,"text":1352},"e8827d1685b13",[1351],"2eb4be9588c4","ING Media",{"_key":1354,"_type":225,"marks":1355,"text":1356},"e8827d1685b14",[],". The series explores the unique relationship between designers and clients, with the aim of ‘demystifying’ the commissioning process.",[1358,1360],{"_key":1342,"_type":824,"href":1359},"https:\u002F\u002Fwovenvoices.co.uk\u002F",{"_key":1351,"_type":824,"href":1361},"https:\u002F\u002Fwww.ing-media.com\u002F",{"_key":1363,"_type":221,"children":1364,"markDefs":1369,"style":230},"7b8f922f97af",[1365],{"_key":1366,"_type":225,"marks":1367,"text":1368},"dd9d97f7730c",[],"The collaborative relationship between DSDHA and British Land, as architect and developer, is one of reciprocity and understanding. 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When we design for the needs of marginalised and vulnerable groups, the benefits will always cascade to the majority. ",[],{"_key":1450,"_type":221,"children":1451,"markDefs":1456,"style":230},"d06c358168cb",[1452],{"_key":1453,"_type":225,"marks":1454,"text":1455},"e7f2a1e1b556",[],"Our work at Vauxhall Pleasure Gardens has developed over the last 20 years and provided one of our earliest involvements with design that was informed by community-engagement and public consultation. We learned that providing a voice for local communities requires earning trust and demonstrating a commitment to engage and offer something back.",[],{"_key":1458,"_type":221,"children":1459,"markDefs":1464,"style":230},"bb034df2fe21",[1460],{"_key":1461,"_type":225,"marks":1462,"text":1463},"d4ffe8b92881",[],"In 2015, we were asked to help with British Land’s inclusive, human-centric redesign of Broadgate Circle. Using prefabricated moveable planters with integrated sheltered seating, we were able to transform an intimidating, male-dominated arena nicknamed the ‘Bear Pit’ into a variegated and active local square. We observed a more balanced gender ratio and variation of activities, for example, gatherings of smaller groups for respite, or even people sitting alone with a book.",[],{"_key":1466,"_type":221,"children":1467,"markDefs":1472,"style":230},"e2f018e3e7ee",[1468],{"_key":1469,"_type":225,"marks":1470,"text":1471},"60e27e7171e4",[],"The masterplan for Somers Town provided the culmination of our work designing for and alongside marginalised groups such as women and girls. We worked closely with a group of local young women who helped us understand how the place was used by residents daily and how it could be improved. The proposal includes a diverse range of play and social spaces, suited to the needs of different user groups, which were communicated through our engagement process.",[],{"_key":1474,"_type":221,"children":1475,"markDefs":1480,"style":230},"7433db10b8d2",[1476],{"_key":1477,"_type":225,"marks":1478,"text":1479},"ad652753501a",[],"Beyond the completion of a project, we continue to empower the residents, young and old, as experts on local issues. 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They represent the property industry as a collective voice to inform policy and help drive economic prosperity of the City. Whilst commissioning research and holding informative seminars.",[],[2076,2084,2092,2100,2104,2112],{"_key":2077,"_type":221,"children":2078,"markDefs":2083,"style":230},"713ceaa27229",[2079],{"_key":2080,"_type":225,"marks":2081,"text":2082},"0944998b9a330",[227],"In order to understand the ecosystem that makes up the City in pursuit of the Destination City vision, CPA and DSDHA set out to map the City’s existing and future public realm improvements alongside new and approved private developments. This acts as the backbone upon which layers of activity and movement, commerce and culture, meeting places and spaces for nature, could be revealed as new opportunities. 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",[],{"_key":2113,"_type":221,"children":2114,"markDefs":2119,"style":230},"12cfa30f5212",[2115],{"_key":2116,"_type":225,"marks":2117,"text":2118},"5e4865a729180",[],"This report features a series of contributors, including Deborah Saunt, CPA Board and Director. Who identifies a human-focused lens at potential public realm and transport initiatives that could help shape the future of the City. By mapping its urban ecosystem, opportunities, networks and environmental challenges. 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What do we mean when we talk about spatial inequality and bias? In this episode, Seyi Brown and Jayne Wong discuss DSDHA's research in collaboration with The London School of Architecture on spatial justice. 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Inspired by an essay of the same name by Robert Byron in 1937, the wide range of invited authors were encouraged to create short, opinionated essays that inspire debate around the built environment.",[],{"_key":2432,"_type":221,"children":2433,"markDefs":2438,"style":230},"32016fc68d61",[2434],{"_key":2435,"_type":225,"marks":2436,"text":2437},"2868aad9b62a0",[],"Deborah Saunt celebrates a new reign that moves 'Towards Spatial Justice'. Her essay relates this moment of monarchic transformation to the collaborative processes of transforming the built environment. 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It is actively shaped by multiple actors – those in power and those disempowered – with different values, contested interests and varying degrees of agency. At its best, design can be a collective and inclusive process that addresses spatial injustices, empowering all those that the built environment serves, but more often this is short-circuited by ‘community engagement’ conducted at a superficial or tokenistic level.",[],{"_key":2481,"_type":221,"children":2482,"markDefs":2487,"style":230},"79b899f78aff",[2483],{"_key":2484,"_type":225,"marks":2485,"text":2486},"8d5cc9ced0790",[227],"This research seeks to assess existing forms of ‘community engagement’, identify current challenges that hinder citizens, communities, designers, clients and authorities in engaging meaningfully in a collaborative design process. It has been informed by a survey of 'best practice' in participatory design and exemplary projects that have found ways to integrate co-design into the design process at different scales, which have both demonstrated its value to resultant design and - crucially – empowered those involved.",[],{"_key":2489,"_type":221,"children":2490,"markDefs":2495,"style":230},"8ad7896741d6",[2491],{"_key":2492,"_type":225,"marks":2493,"text":2494},"3cef768c83ab0",[227],"Whilst the Covid-19 pandemic, Black Lives Matter and climate emergency movements have reframed discourse within the architectural profession as well as wider societal consciousness, they are more often addressed as independent, topical concerns. This research posits that the multiple crises in health, race, climate and others cannot be addressed in isolation and that it is only through the prism of intersectionality that 'spatial justice' can be sought: the housing crisis cannot be remedied without a robust sustainability vision; public spaces cannot truly celebrate neglected histories without addressing entrenched socio-economic inequities; post-pandemic, the city cannot nurture better health and wellbeing for its inhabitants without challenging deep-rooted petroleum-fuelled habits that dictate urban design. Acknowledging the intersectionality of the challenges that the built environment faces, this research poses co-design both as a powerful design tool to uncover inequities and opportunities to redress them and as an invaluable civic process in the generation, exchange, and application of collective knowledge.",[],{"_key":2497,"_type":31,"asset":2498},"3f9c2751ca86",{"_ref":2499,"_type":34},"image-a398298a2c649d6bcb4a72d02f58a9d4d7168c94-1600x1131-jpg",{"_key":2501,"_type":221,"children":2502,"markDefs":2520,"style":230},"5b1e36f6e693",[2503,2507,2511,2516],{"_key":2504,"_type":225,"marks":2505,"text":2506},"0f403616c3470",[227],"Towards Spatial Justice: A guide for achieving meaningful participation in co-design processes",{"_key":2508,"_type":225,"marks":2509,"text":2510},"e1d3e10eec78",[]," marks a significant spatial turn in the practise of architecture, both at DSDHA and throughout the wider discipline. 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Our core value, ",{"_key":2531,"_type":225,"marks":2532,"text":1782},"9280aaccba211",[227],{"_key":2534,"_type":225,"marks":2535,"text":2536},"9280aaccba212",[],", is directly aligned with the co-design methodology, recognising that the social, cultural, and lived experiences of people are inseparable from the physical environments they inhabit. This guide aims to make co-design more accessible for standard architectural practice, ensuring that architecture as a whole is able to respond meaningfully to its social context.",[],{"_key":2539,"_type":221,"children":2540,"markDefs":2545,"style":230},"e976a2687c06",[2541],{"_key":2542,"_type":225,"marks":2543,"text":2544},"ded8341c5dc20",[],"Through our contribution to this work and in our broader practice, DSDHA champions the movement toward spatial justice in the built environment. We recognise the growing necessity of co-design in architectural discourse and practice, as well as its role in advancing the collective goal of a more just and inclusive city. 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Despite filming taking place on a grey London afternoon, the house maintains a refreshing degree of lightness and tranquillity.",[],{"_key":2582,"_type":221,"children":2583,"markDefs":2588,"style":230},"898228f3702d",[2584],{"_key":2585,"_type":225,"marks":2586,"text":2587},"69b410ccea4b",[],"David presents a sensitive appraisal of the design considerations and the construction process, focusing on the materiality of the house as well as its experience as a home. Together with David’s calm and open narration, the video’s relaxed videography captures an insightful and sincere profile of the house.",[],"2023-01-29","Covert House ",[2592,2595],{"_key":2593,"_ref":2594,"_type":324},"df522f518920","2ed79dd7-34e2-402c-8e10-7e0824ab53c1",{"_key":2596,"_ref":1382,"_type":324},"148d5c0bfb20","David Hills","Kirsten Dirksen","Couldn't Build Higher",{"_type":547,"asset":2601},{"_ref":2602,"_type":34,"_weak":464},"5884602b-e842-4128-b309-1070ba67b95c",[2604],{"_key":2605,"_type":221,"children":2606,"markDefs":2611,"style":230},"5ffe610fe6de",[2607],{"_key":2608,"_type":225,"marks":2609,"text":2610},"ad0969795e600",[],"Kirsten Dirksen, YouTube",[],{"_createdAt":2613,"_id":2151,"_rev":2614,"_system":2615,"_type":473,"_updatedAt":2618,"body":2619,"date":2643,"relatedItems":2644,"slug":166,"speakers":2651,"subtitle":2652,"title":2653,"video":2654,"videoCaption":2657},"2024-12-05T10:33:16Z","09hyjy0fqGrNLYFV3baKcN",{"base":2616},{"id":2151,"rev":2617},"z39BwcWwJYc5hFivM8bSzB","2026-03-02T11:37:22Z",[2620,2635],{"_key":2621,"_type":221,"children":2622,"markDefs":2632,"style":230},"a5bcf2c22237",[2623,2628],{"_key":2624,"_type":225,"marks":2625,"text":2627},"1a2329c86a0b0",[2626],"c5d8f8cad5d7","The Green Urbanist",{"_key":2629,"_type":225,"marks":2630,"text":2631},"1a2329c86a0b1",[]," is a podcast for urbanists and built environment professionals who are passionate about combating the effects of the climate crisis. DSDHA trio, Tom Greenall, Jane Wong and Lydia Toohey, join the podcast’s host Ross O’Ceallaigh to discuss co-design; what it means, its relevance, and how it is being applied to projects.",[2633],{"_key":2626,"_type":824,"href":2634},"https:\u002F\u002Fgreenurbanistpod.com\u002F",{"_key":2636,"_type":221,"children":2637,"markDefs":2642,"style":230},"412bc2885125",[2638],{"_key":2639,"_type":225,"marks":2640,"text":2641},"92bd036561b3",[],"They discuss the process of co-design as a practitioner, understanding the positionality of being a designer in a foreign space, and giving power to the voices of those who occupy it. Linking these topics to the climate crisis, Tom reminds us of an important reality, that \"the exploitation of the planet is so closely linked with the exploitation of people.”",[],"2022-07-20",[2645,2647,2649],{"_key":2646,"_ref":728,"_type":324},"1e30bc367e68",{"_key":2648,"_ref":719,"_type":324},"a52cf9d75bbf",{"_key":2650,"_ref":888,"_type":324},"6ed7be114c42","Jane Wong, Lydia Toohey, Tom Greenall","Green Urbanist Podcast #67","Co-Designing for Spatial Justice",{"_type":547,"asset":2655},{"_ref":2656,"_type":34,"_weak":464},"5e3541e1-cd80-4d8f-9870-44c65174f7d6",[2658],{"_key":2659,"_type":221,"children":2660,"markDefs":2664,"style":230},"89e3ec7d3529",[2661],{"_key":2662,"_type":225,"marks":2663,"text":2652},"1e3e3c3f4e080",[],[],{"_createdAt":2666,"_id":2667,"_rev":2668,"_type":195,"_updatedAt":2666,"coverImage":2669,"date":2675,"large":19,"reference":2676,"slug":48,"title":19},"2025-04-23T11:05:10Z","09c5a657-b784-4033-b5e9-1d746d3960e0","K67kwz39WekJ74yRFbyugm",{"_type":31,"alt":19,"aspectRatio":2670,"asset":2671,"body":19,"caption":19,"height":2673,"hotspot":19,"id":2672,"preview":2674,"width":1078},1.4841199168892847,{"_ref":2672,"_type":34},"image-6161c62098f4aecceaa389915f7b7913cc666768-5000x3369-jpg",3369,"data:image\u002Fjpeg;base64,\u002F9j\u002F2wBDAAYEBQYFBAYGBQYHBwYIChAKCgkJChQODwwQFxQYGBcUFhYaHSUfGhsjHBYWICwgIyYnKSopGR8tMC0oMCUoKSj\u002F2wBDAQcHBwoIChMKChMoGhYaKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCj\u002FwAARCAANABQDASIAAhEBAxEB\u002F8QAFwAAAwEAAAAAAAAAAAAAAAAAAAQFBv\u002FEACQQAAICAgEEAQUAAAAAAAAAAAECAwQABREGEiExExQyQUJR\u002F8QAFgEBAQEAAAAAAAAAAAAAAAAABAAC\u002F8QAGxEBAAICAwAAAAAAAAAAAAAAAQARAkESEyH\u002F2gAMAwEAAhEDEQA\u002FALkFqlrdcssjGSQJwvj7jiHR\u002FUtexdnrtKzIzlvkf0hP4zDWdjPZdQWKqB2gc+hmx3mso6mPWHX1lh+ohDS9v7H+4HG7tjkHyUdhrkW9OVnUh3LecMRpOLERMoLMh7OeffGGa7MXUuKbn\u002F\u002FZ","2022-06-13",{"_ref":993,"_type":34},{"_createdAt":2678,"_id":1060,"_rev":2679,"_system":2680,"_type":61,"_updatedAt":2683,"authors":35,"body":2684,"color":9,"date":2803,"pdf":2804,"relatedItems":2807,"slug":175,"subtitle":2819,"title":2744},"2024-12-04T11:10:59Z","qXQjeYwwn4QVEqKfdRwWOC",{"base":2681},{"id":1060,"rev":2682},"09hyjy0fqGrNLYFV3bbbcv","2026-04-17T09:56:25Z",[2685,2693,2701,2709,2717,2725,2733,2746,2754,2773],{"_key":2686,"_type":221,"children":2687,"markDefs":2692,"style":230},"51e8a4a78bc7",[2688],{"_key":2689,"_type":225,"marks":2690,"text":2691},"dd27f7df21600",[227],"WHY DO WE NEED TO CONSIDER RETROFIT FOR CULTURAL INFRASTRUCTURE?",[],{"_key":2694,"_type":221,"children":2695,"markDefs":2700,"style":230},"65cf6f68f6d7",[2696],{"_key":2697,"_type":225,"marks":2698,"text":2699},"794336c55ca80",[227],"Cultural and creative industries are essential to the UK’s success and the foundation for civic life. Retrofitting, as an approach, framework and strategy for cultural infrastructure, can support sustainable development and promotion of the sector’s value against multiple environmental, cultural, social and economic pressures.",[],{"_key":2702,"_type":221,"children":2703,"markDefs":2708,"style":230},"b8fa764f19e6",[2704],{"_key":2705,"_type":225,"marks":2706,"text":2707},"2b9b2165441a0",[227],"While new-build technologies are addressing embodied and operational carbon of buildings to meet the Paris Agreement target of becoming zero-carbon by 2050, there are few resources to support the adaptation of the estimated 80% of building stock that will have already been built and occupied by then.",[],{"_key":2710,"_type":221,"children":2711,"markDefs":2716,"style":230},"277372e158e0",[2712],{"_key":2713,"_type":225,"marks":2714,"text":2715},"1788217293360",[227],"The National Planning Policy Framework features three pillars of sustainable development: economic, social and environmental.1 Although existing strategies provide an environmental and economic case for retrofit, there is a lack of regulatory incentives for social and cultural impacts to be considered, which are particularly critical for cultural infrastructure. This includes the public benefits of heritage preservation, the need for accessibility improvements and the irreplaceable networks that nurture local skills, talent and sense of belonging.",[],{"_key":2718,"_type":221,"children":2719,"markDefs":2724,"style":230},"e18be49cec47",[2720],{"_key":2721,"_type":225,"marks":2722,"text":2723},"66a37e3c2f1e0",[227],"Retrofit can be broadly defined as the regenerative upgrading of existing spaces. In determining the viability of retrofit for cultural infrastructure – buildings, facilities and public realm - there is a need for the holistic assessment of environmental, cultural and social factors for cultural organisations to make informed strategic decisions.",[],{"_key":2726,"_type":221,"children":2727,"markDefs":2732,"style":230},"58ab887b3f8f",[2728],{"_key":2729,"_type":225,"marks":2730,"text":2731},"bbbb512e07ab0",[227],"This report helps articulate the three values of retrofit - environmental, cultural and social - operating within the parameters of economic considerations, which should be considered for the future-proofing of our cultural infrastructure. It aims to bring greater clarity to the retrofit process for cultural organisations as well as recommendations for policy-makers and researchers.",[],{"_key":2734,"_type":31,"asset":2735,"caption":2737},"0fd73c7f5d97",{"_ref":2736,"_type":34},"image-05ad09d3d6a1649f34e32491d0ed6b3ac7af9462-1303x1583-jpg",[2738],{"_key":2739,"_type":221,"children":2740,"markDefs":2745,"style":230},"9d98ac6f5193",[2741],{"_key":2742,"_type":225,"marks":2743,"text":2744},"7f6aabd77dad",[227],"Retrofitting for Cultural Infrastructure",[],{"_key":2747,"_type":221,"children":2748,"markDefs":2753,"style":230},"ae86a0d23942",[2749],{"_key":2750,"_type":225,"marks":2751,"text":2752},"bd279caa82f20",[],"With sustainable development becoming a major priority in architecture and design, retrofit is a word heard with increasing frequency. Alongside the need for high environmental performance, there is a demand for the provision of spaces that are equitable, heritage-sensitive, accessible and reflect the diverse needs of both their local community and an international population.",[],{"_key":2755,"_type":221,"children":2756,"markDefs":2770,"style":230},"bfcae0e18ce6",[2757,2761,2766],{"_key":2758,"_type":225,"marks":2759,"text":2760},"e5158b980bc20",[],"While providing essential clarity on the retrofit process, the fundamental purpose of this report is both to outline key recommendations for the ",{"_key":2762,"_type":225,"marks":2763,"text":2765},"e5158b980bc21",[2764],"090f431e04f1","Department for Culture, Media and Sport",{"_key":2767,"_type":225,"marks":2768,"text":2769},"e5158b980bc22",[]," (DCMS) in supporting cultural retrofit projects across the UK, and to provide a practical guide for cultural organisations who are considering the holistic retrofit of existing cultural buildings or alternative premises.",[2771],{"_key":2764,"_type":824,"href":2772},"https:\u002F\u002Fwww.gov.uk\u002Fgovernment\u002Forganisations\u002Fdepartment-for-culture-media-and-sport",{"_key":2774,"_type":221,"children":2775,"markDefs":2798,"style":230},"cbf95d804f36",[2776,2780,2785,2789,2794],{"_key":2777,"_type":225,"marks":2778,"text":2779},"cfe4c79fd9380",[],"The report, authored by DSDHA, has been commissioned, funded and coordinated ",{"_key":2781,"_type":225,"marks":2782,"text":2784},"cfe4c79fd9381",[2783],"db640371e39d","by Future Observatory",{"_key":2786,"_type":225,"marks":2787,"text":2788},"cfe4c79fd9382",[]," at the Design Museum, in partnership with the Arts and Humanities Research Council (AHRC), and supported by the DCMS via ",{"_key":2790,"_type":225,"marks":2791,"text":2793},"cfe4c79fd9383",[2792],"4820d07310de","UK Research and Innovation",{"_key":2795,"_type":225,"marks":2796,"text":2797},"cfe4c79fd9384",[]," (UKRI). 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DSDHA are experienced in designing special educational needs (SEN) schools such as Pond Meadow School and Links Primary School, as well as senior-living accommodation, with planning approval recently granted for a scheme in Belgravia - all requiring sensitive and extensive engagement and consultation to create visions for a fair, just and inclusive city.",[],{"_key":3115,"_type":221,"children":3116,"markDefs":3129,"style":230},"da6dcce2eaca",[3117,3121,3125],{"_key":3118,"_type":225,"marks":3119,"text":3120},"6327eb213ecc0",[227],"David Bonnett Associates is an architectural inclusive design and access consultancy. It provides advice to clients and architects working on projects ranging from cultural venues and landscape schemes to large-scale masterplans, transport interchanges and residential developments. 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Understanding this most fundamental of territories as a place where culture is nurtured, and the city is allowed to flourish through the cultivation of exchange. This chapter examines how travel, place and human connectivity are intimately related from physical, cultural and psychological perspectives.",[],{"_key":3362,"_type":221,"children":3363,"markDefs":3368,"style":230},"3c1e8fbb0d34",[3364],{"_key":3365,"_type":225,"marks":3366,"text":3367},"628961bad82d0",[],"First, we provide a brief survey of historical relations between human settlements and travel, before turning to psychological and behavioural insights that reveal how different modes of travel can impact upon our experiences of the places we live and move through. 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Her talk explores how DSDHA values research in the practice of architecture, describing the role of knowledge and learning as ‘entwined with the studio.’",[],{"_key":3454,"_type":221,"children":3455,"markDefs":3462,"style":230},"a2fc2b5ef37b",[3456,3460],{"_key":3457,"_type":225,"marks":3458,"text":3459},"0b10a08635330",[],"The LSA and DSDHA have collaborated on many projects, including several DSDHA-led Design Think Tanks, such as those on Cultural Infrastructure and Spatial Justice. 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This guide is a response to historical and present-day spatial and racial injustices in Hackney. There is an urgent need to respond to the evictions of grassroots community groups and erasures of cultural spaces, and to the lack of acknowledgement of histories and contributions that black, brown and minority communities have given to Hackney. In this historical moment of BLM protests erupting around the world, and the inequalities the global pandemic has visibilised, our planet is slowly waking up to the racial injustices groups have always been facing. It is time to take collective action, be heard and claim your space in the city!",[],{"_key":3517,"_type":221,"children":3518,"markDefs":3523,"style":3507},"56b81e35c5e3",[3519],{"_key":3520,"_type":225,"marks":3521,"text":3522},"d820a1719fc90",[],"1.2 WHAT",[],{"_key":3525,"_type":221,"children":3526,"markDefs":3531,"style":230},"bfd85263c616",[3527],{"_key":3528,"_type":225,"marks":3529,"text":3530},"e308c3b924970",[227],"Seven students from the London School of Architecture have developed a new model of community and cultural infrastructure, built on community empowerment, mutual aid, sustainability and resilience.",[],{"_key":3533,"_type":221,"children":3534,"markDefs":3539,"style":230},"79c62ae285ff",[3535],{"_key":3536,"_type":225,"marks":3537,"text":3538},"89d2d60e0a730",[227],"This model highlights the importance of grassroots organisations and community groups who are fighting against structural and racist inequalities in society to provide support and care within their communities.",[],{"_key":3541,"_type":221,"children":3542,"markDefs":3547,"style":230},"18abf909022e",[3543],{"_key":3544,"_type":225,"marks":3545,"text":3546},"c59fe8fc0b3b0",[227],"This is a design guide which looks at an alternative version of how these communities can support themselves and each other and acquire space away from government control, and looks at ways to fund these support networks, groups and places.",[],{"_key":3549,"_type":221,"children":3550,"markDefs":3555,"style":3507},"19390e06487f",[3551],{"_key":3552,"_type":225,"marks":3553,"text":3554},"4debe00ca9230",[],"1.3 WHO",[],{"_key":3557,"_type":221,"children":3558,"markDefs":3563,"style":230},"f9988887b3e6",[3559],{"_key":3560,"_type":225,"marks":3561,"text":3562},"91393dbcf5100",[227],"Positionality refers to how differences in social position and power shape identities and access in society. This is essential when working with communities of colour and the intersections of gender and queerness. We are a diverse group of people with very different identities and backgrounds, which have brought different perspectives to this project.",[],{"_key":3565,"_type":221,"children":3566,"markDefs":3571,"style":230},"62449ff7efe2",[3567],{"_key":3568,"_type":225,"marks":3569,"text":3570},"e9cf67bc91310",[227],"It was essential to outline our positionality in relation to this project and continually be aware, growing and (un)learning. We are tied to the project in different ways, and some of us are working within the communities we identify with. Nobody can fully understand the lived experiences of others, but it was our aim to create a study intersectional in nature. Acknowledging the way race, gender, sexuality, economics and privilege overlap, to ignore this is to ignore the experiences of many. 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This episode, ‘Neurodivergence in Outdoor Spaces’, discusses UNSDG 10: Reduced Inequalities.",[3913,3915],{"_key":3897,"_type":824,"href":3914},"https:\u002F\u002Fvestre.com\u002Fuk\u002Ffika-with-friends",{"_key":3906,"_type":824,"href":3916},"https:\u002F\u002Fsdgs.un.org\u002Fgoals",{"_key":3918,"_type":221,"children":3919,"markDefs":3924,"style":230},"464192a82348",[3920],{"_key":3921,"_type":225,"marks":3922,"text":3923},"c8926eb80b600",[],"Jane Wong and Tom Greenall were invited to the webinar alongside Dr Katie Gaudion, a senior researcher at the RCA’s Helen Hamlyn Centre for Design. Jane and Tom introduce some of DSDHA’s research projects that focus on designing for neurodiversity, highlighting our co-design methodology as a means for building accessible spaces. 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Deborah predicts the impact of the pandemic on the urgent need for public spaces and the tactics employed in their delivery, as well as a broader analysis of the role of public space within increasingly dense developments.",[],{"_key":3998,"_type":221,"children":3999,"markDefs":4013,"style":230},"e5da5952f2ca",[4000,4004,4009],{"_key":4001,"_type":225,"marks":4002,"text":4003},"6d8d5522868c0",[],"They also discuss DSDHA’s research ‘Sharing the Beautiful Everyday Journey’, undertaken as part of the ",{"_key":4005,"_type":225,"marks":4006,"text":4008},"6d8d5522868c1",[4007],"76f58c8bf818","2016 Built Environment Research Fellowship",{"_key":4010,"_type":225,"marks":4011,"text":4012},"6d8d5522868c2",[],", awarded by the Royal Commission for the Exhibition of 1851, in which the practice investigated mobility in London.",[4014],{"_key":4007,"_type":824,"href":4015},"https:\u002F\u002Froyalcommission1851.org\u002Ffellowships\u002Fbuilt-environment-fellowships",{"_key":4017,"_type":221,"children":4018,"markDefs":4023,"style":230},"cede4a8909ef",[4019],{"_key":4020,"_type":225,"marks":4021,"text":4022},"24d07572fab60",[],"NLA Breakfast Talks bring together professionals working in architecture and the built environment to discuss topical issues and challenges facing the discipline. This talk seeks to hear about the practical interventions being made to improve streets in a period of fast technological change.",[],"2020-01-17",[4026,4028,4031,4033,4035],{"_key":4027,"_ref":3201,"_type":324},"4cbdf55c0d3d",{"_key":4029,"_ref":4030,"_type":324},"4d976629d3f5","549fd8fb-23ee-4114-afae-a96ca1da5bb0",{"_key":4032,"_ref":540,"_type":324},"ffa76745912e",{"_key":4034,"_ref":1377,"_type":324},"5eefe2811964",{"_key":4036,"_ref":996,"_type":324},"eae0bc072ca5","New London Architecture Breakfast Talk","Practical Steps for Future-Proofing our Streets",{"_type":547,"asset":4040},{"_ref":4041,"_type":34,"_weak":464},"d9d67741-c720-4f84-8de3-666076700194",[4043],{"_key":4044,"_type":221,"children":4045,"markDefs":4049,"style":230},"d27bdfc49edf",[4046],{"_key":4047,"_type":225,"marks":4048,"text":4037},"80907504cbfa0",[],[],{"_createdAt":4051,"_id":3467,"_rev":4052,"_system":4053,"_type":61,"_updatedAt":4056,"authors":35,"body":4057,"color":7,"date":4202,"pdf":4203,"relatedItems":4206,"slug":181,"subtitle":4211,"title":4212},"2024-12-04T11:43:31Z","JLg9PnhX306B5hxUgudCiJ",{"base":4054},{"id":3467,"rev":4055},"8XgNyV6kMyz6T8pHTwVDD7","2026-03-02T11:47:05Z",[4058,4066,4074,4082,4090,4097,4101,4108,4135,4195],{"_key":4059,"_type":221,"children":4060,"markDefs":4065,"style":230},"811dd6839284",[4061],{"_key":4062,"_type":225,"marks":4063,"text":4064},"1939a1743b780",[227],"'Research' is the new buzzword. A quick survey of architects' websites around the world will show that the term features prominently among the range of services offered by contemporary practices. Professional institutions on both sides of the Atlantic also agree on the centrality of research, with the Royal Institute of British Architects (RIBA) aiming to ‘facilitate collaboration, research and innovation in practice’ and the American Institute of Architects (AIA) declaring that 'empowering architects to use and engage in research' is fundamental to its mission. This emphasis on research as an integral part of practice is indicative of a recent shift. Traditionally thought of as the domain of universities, with its value measured by the number of citations a paper\u002Fthesis received by fellow academics, today, and often, architectural research inhabits a grey area between academia and practice.",[],{"_key":4067,"_type":221,"children":4068,"markDefs":4073,"style":230},"9e5771ba4ea6",[4069],{"_key":4070,"_type":225,"marks":4071,"text":4072},"a243d49b835f0",[227],"On the one hand, shifting funding models, globalisation and digital media have been forcing academia to question its scope and modes of evaluation of research, while on the other, a wave of practitioners and new types of institutions, such as RMIT University in Melbourne or the London School of Architecture (LSA), have been recasting architectural education and theoretical speculation within practice. In so doing, they have turned the traditional architectural studio into a learning environment that adopts and adapts academic models, and - more or less explicitly - posits architectural research as an end in itself as well as a potential source of business intelligence - as a means to self-generate future commissions and speculative opportunities that sometimes even shift the terrain of practice.",[],{"_key":4075,"_type":221,"children":4076,"markDefs":4081,"style":230},"32f876743ef0",[4077],{"_key":4078,"_type":225,"marks":4079,"text":4080},"b42e9a5eba970",[227],"These modes of working seek to destabilise traditional roles of academia and practice by questioning their deep-rooted separation and demanding a new definition of the term 'research', one that is relevant to both parties as well as to the wider public. These are urgent issues to debate, particularly as, while both agree upon its centrality, there seems to be no consensus as to what effectively constitutes research, nor is there agreement on how its outcomes are to be assessed outside of codified academic systems.",[],{"_key":4083,"_type":221,"children":4084,"markDefs":4089,"style":230},"2e9af0b7537e",[4085],{"_key":4086,"_type":225,"marks":4087,"text":4088},"392ca393e57f0",[227],"In order to understand what form(s) and value(s) research assumes in this emerging landscape, this edition of AD gathers together contributions from international scholars, researchers and from a number of practitioners who have been recasting intellectual speculation and learning within their own studios. These considerations advance a series of hypotheses on the value of research beyond a purely academic context, and on how academia could participate in the contemporary cultural shifts happening within practice, while also raising questions in terms of opportunities and risks that arise when research is recast into the less regimented realm of practice.",[],{"_key":4091,"_type":221,"children":4092,"markDefs":4096,"style":230},"9eed66bf4298",[4093],{"_key":4094,"_type":225,"marks":4095,"text":873},"4f8a839558c3",[],[],{"_key":4098,"_type":31,"asset":4099},"eb1ea3ef43d4",{"_ref":4100,"_type":34},"image-80d6cc4bc72539eae9eed0b154300fc75074dbf0-1047x1427-jpg",{"_key":4102,"_type":221,"children":4103,"markDefs":4107,"style":230},"fdf25b9a057b",[4104],{"_key":4105,"_type":225,"marks":4106,"text":873},"1f9bd3205fc70",[],[],{"_key":4109,"_type":221,"children":4110,"markDefs":4132,"style":230},"71da1bc77eed",[4111,4115,4119,4123,4128],{"_key":4112,"_type":225,"marks":4113,"text":4114},"ef204175ab0f0",[],"Each title of ",{"_key":4116,"_type":225,"marks":4117,"text":4118},"ef204175ab0f1",[227],"Architectural Design",{"_key":4120,"_type":225,"marks":4121,"text":4122},"ef204175ab0f2",[]," is edited by an invited Guest-Editor, recognised as an international expert in their field. This issue, ‘The Business of Research’, wasguest-edited by DSDHA’s Deborah Saunt, Tom Greenall, and Roberta Marcaccio. In many ways, ‘The Business of Research’ arrived as a natural evolution from Deborah’s PhD, ",{"_key":4124,"_type":225,"marks":4125,"text":4127},"ef204175ab0f3",[4126],"1ea629b43a54","Orbits & Trajectories",{"_key":4129,"_type":225,"marks":4130,"text":4131},"ef204175ab0f4",[],", from which DSDHA began its formal evolution from an architecture studio to a multidisciplinary spatial design studio.",[4133],{"_key":4126,"_type":824,"href":4134},"https:\u002F\u002Fdsdha-frontend.netlify.app\u002Fdiscourse\u002Fwriting\u002Forbits-and-trajectories",{"_key":4136,"_type":221,"children":4137,"markDefs":4185,"style":230},"d933ab721e96",[4138,4142,4147,4151,4156,4160,4164,4168,4173,4177,4182],{"_key":4139,"_type":225,"marks":4140,"text":4141},"008c889be8230",[],"Research has a significant role in operations at DSDHA and informs our design protocols at a fundamental level. In the last decade, we have been awarded twice with the Royal Commission for the Exhibition of 1851’s Research Fellowship in the Built Environment; the first in 2010, analysed the public realm around the ",{"_key":4143,"_type":225,"marks":4144,"text":4146},"008c889be8231",[4145],"1805ccc98774","Albertopolis",{"_key":4148,"_type":225,"marks":4149,"text":4150},"008c889be8232",[]," in Kensington, and the second in 2016, looked at ways of bettering ",{"_key":4152,"_type":225,"marks":4153,"text":4155},"008c889be8233",[4154],"f13cfbd7b3cf","London’s cycling infrastructure",{"_key":4157,"_type":225,"marks":4158,"text":4159},"008c889be8234",[],". 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Our answer is, emphatically, yes; but only if that infrastructure has been designed following these three key principals:",[],{"_key":4348,"_type":221,"children":4349,"markDefs":4354,"style":230},"222476a30878",[4350],{"_key":4351,"_type":225,"marks":4352,"text":4353},"4fb28242863e0",[227],"1. From the perspective of an individual’s visual and sensory experience of a journey.",[],{"_key":4356,"_type":221,"children":4357,"markDefs":4362,"style":230},"8276d8f59e01",[4358],{"_key":4359,"_type":225,"marks":4360,"text":4361},"750f8ec862310",[227],"2. Accommodates the ever-changing place and movement functions that our squares, streets and junctions have to perform.",[],{"_key":4364,"_type":221,"children":4365,"markDefs":4370,"style":230},"c5728184008d",[4366],{"_key":4367,"_type":225,"marks":4368,"text":4369},"c6feb5287d060",[227],"3. Promotes considerate cycling and reduces conflict with vehicles and pedestrians, while still ensuring a journey that is efficient and enjoyable.",[],{"_key":4372,"_type":221,"children":4373,"markDefs":4378,"style":230},"1814f43ce3ab",[4374],{"_key":4375,"_type":225,"marks":4376,"text":4377},"c88ca9bb77a20",[227],"The key outcome of this research is the development of a drawn methodology to help urban designers create successful streets, squares and junctions that also function as a positive place of encounter. We have sought to encourage a move away from a modernist bird's-eye approach to planning and from the tendency to look at each junction as a technical problem to solve in isolation. Instead, the drawn methodology helps designers to understand the city kinetically, from different perspectives, allowing them to curate ‘journeys’ as complex sequences that, unlike the isolated experience of being in a car, incorporate social, aesthetic and physical interactions with the surrounding environment.",[],{"_key":4380,"_type":221,"children":4381,"markDefs":4386,"style":230},"9bf096837662",[4382],{"_key":4383,"_type":225,"marks":4384,"text":4385},"0b7a2511fc960",[227],"Some of the ‘soft\u002Fmental’ mapping and spatial strategy tools described in our research are already widely used and recognised. However, it is the process of expanding and formalising these tools into a structure that promotes a balanced understanding of the public realm in terms of space, time and movement, which we believe will be of lasting value.",[],{"_key":4388,"_type":221,"children":4389,"markDefs":4398,"style":230},"b8c4026f68a9",[4390,4394],{"_key":4391,"_type":225,"marks":4392,"text":4393},"9723044710c30",[227],"As we look to a future where the function of our streets may change radically due to automated technology, we should learn lessons from the modernist period and always put the experience of the people at the centre of design and create places that allow beautiful journeys every day.",{"_key":4395,"_type":225,"marks":4396,"text":4397},"9723044710c31",[],"\n\n",[],{"_key":4400,"_type":31,"asset":4401},"549c6bc2ad26",{"_ref":4402,"_type":34},"image-3c51020745cc1860cbf8807b40eb9d5b52a0cea4-977x993-jpg",{"_key":4404,"_type":221,"children":4405,"markDefs":4414,"style":230},"f7f5a59b8d9a",[4406,4410],{"_key":4407,"_type":225,"marks":4408,"text":4409},"65a88cedf6fc",[227],"\n",{"_key":4411,"_type":225,"marks":4412,"text":4413},"d92ad45c281f",[],"In late 2015, DSDHA were awarded a two-year Built Environment research fellowship by the Royal Commission for the Great Exhibition of 1851, granted in response to a brief highlighting the inadequacy of design standards for cycling infrastructure. The fellowship was supported by Transport for London and consequently used to inform future public realm planning and design. The Commission sought research that would challenge this model by exploring how cities, using London as a case study, might better accommodate cycling and walking in ways that enhance the public realm.",[],{"_key":4416,"_type":221,"children":4417,"markDefs":4422,"style":230},"38349acff6e4",[4418],{"_key":4419,"_type":225,"marks":4420,"text":4421},"89e5501ae3c90",[],"Applicants were asked to look at examples of international best practice, develop design specifications and materials guidelines, and produce evidence-based proposals for high-quality streets, junctions, and public spaces. DSDHA approached this brief by developing a methodology that foregrounds the spatial, temporal, and behavioural dimensions of movement, aiming to create more responsive and human-centred urban environments.",[],"2018-01-01",{"_type":317,"asset":4425},{"_ref":4426,"_type":34},"file-56f5d2bcbf395f4cf803e2e8cf7581cb74a92147-pdf",[4428],{"_key":4429,"_ref":1063,"_type":324},"696895768729","Royal Commission for the Exhibition of 1851, Built Environment Fellowship","Sharing the Beautiful Everyday Journey",{"_createdAt":4433,"_id":327,"_rev":4434,"_system":4435,"_type":61,"_updatedAt":4438,"authors":217,"body":4439,"color":9,"date":4527,"pdf":4528,"relatedItems":4531,"slug":187,"subtitle":328,"title":4536},"2024-12-04T12:17:18Z","09hyjy0fqGrNLYFV3bb5OT",{"base":4436},{"id":327,"rev":4437},"5hX8018MxvA2lEnAV6AtCK","2026-03-02T11:40:38Z",[4440,4448,4456,4464,4472,4476,4503,4511,4519],{"_key":4441,"_type":221,"children":4442,"markDefs":4447,"style":230},"8690e2e4009c",[4443],{"_key":4444,"_type":225,"marks":4445,"text":4446},"2a131175563e0",[227],"1.0 MOBILITY & CULTURE We propose to exploit the opportunities generated by transport infrastructure developments, during “the journey” itself, by distributing new cultural spaces along the length of Crossrail, near its many stations, to serve a wider demographic and bring benefit to Londoners’ daily lives. For this purpose, we have studied the typical day in the life of a Londoner. We have analysed how technology, mobility and daily activities (such as sleeping, eating, playing, working, etc.) overlap in the routine of an adult and a child, respectively, and where in these cycles cultural production, participation and enjoyment tend to insert themselves. The journeys we make are active sites for cultural investment, not just the destinations we travel to and from.",[],{"_key":4449,"_type":221,"children":4450,"markDefs":4455,"style":230},"733089a1632d",[4451],{"_key":4452,"_type":225,"marks":4453,"text":4454},"cf9ea29f1148",[227],"2.0 CREATE PERMISSIVE PLACES FOR PRODUCTION, PARTICIPATION AND PLAY Our proposal favours the proliferation of extra-small, small and medium sized flexible spaces, ideal for studios, workshops and rehearsal spaces, close to transport, this would support local talent and mitigate the incessant expansion of residential space as well as Large and Extra Large containers for the high-arts at the expense of London’s common creative ground.",[],{"_key":4457,"_type":221,"children":4458,"markDefs":4463,"style":230},"e9a4c0d6688e",[4459],{"_key":4460,"_type":225,"marks":4461,"text":4462},"e06b485fe331",[227],"3.0 REFORM EXISTING FUNDING MODELS We propose to allocate a fixed percentage of both Local Authority and Community Infrastructure Levy (CIL) – a planning charge that local authorities can impose on large developments– to support the economic and cultural well-being of an area. This levy would fund the provision of new spaces on sites that sit between the forthcoming Crossrail stations and their adjacent speculative developments, as well as further afield within local neighbourhoods. We have tested this proposal on two sites touched by Crossrail: Whitechapel and Heathrow Airport, revealing the huge potential these have to re-provide lost creative space.",[],{"_key":4465,"_type":221,"children":4466,"markDefs":4471,"style":230},"ff738155484a",[4467],{"_key":4468,"_type":225,"marks":4469,"text":4470},"16957e80c1b3",[227],"4.0 MAKE MESS Our proposed cultural infrastructure network will utilise the ‘shit space’ of development (the less valuable floor space of new buildings, such as the underground or overshadowed areas, or the noisy space in the proximity of an airport or railway line) to make room for MeSSy creative activities in our city. Borrowing the model of Shared Economy – essentially connecting and making the most of underused resources – less valuable venues will be programmed into new buildings, transport infrastructure itself and public spaces, to maximise their use and create a more permissive spatial framework, where variety, hybridity and serendipitous discoveries can unlock the potential for creativity and play in the city.",[],{"_key":4473,"_type":31,"asset":4474},"c10c0b99214f",{"_ref":4475,"_type":34},"image-b1e0c94c4843d2d229b5ce2993b8c525332d8957-1426x954-jpg",{"_key":4477,"_type":221,"children":4478,"markDefs":4500,"style":230},"7b5b5bb4af72",[4479,4483,4487,4491,4496],{"_key":4480,"_type":225,"marks":4481,"text":4482},"15add8302d740",[],"In 2017, DSDHA led ",{"_key":4484,"_type":225,"marks":4485,"text":4486},"15add8302d741",[227],"Metabolic City",{"_key":4488,"_type":225,"marks":4489,"text":4490},"15add8302d742",[],", a Design Think Tank at the London School of Architecture focused on the theme of Cultural Infrastructure. Responding to the then-upcoming Mayor of London’s ",{"_key":4492,"_type":225,"marks":4493,"text":4495},"15add8302d743",[4494],"e32c04317b1e","Cultural Strategy",{"_key":4497,"_type":225,"marks":4498,"text":4499},"15add8302d744",[],", the project proposed spatial strategies to help sustain London’s identity as a global cultural capital.",[4501],{"_key":4494,"_type":824,"href":4502},"https:\u002F\u002Fcrossriverpartnership.org\u002Fwp-content\u002Fuploads\u002F2019\u002F05\u002F2018_culture_strategy_final.pdf",{"_key":4504,"_type":221,"children":4505,"markDefs":4510,"style":230},"8332a1ecf89c",[4506],{"_key":4507,"_type":225,"marks":4508,"text":4509},"52e554fb36c50",[],"While the city’s cultural life remains rich and diverse, it faces increasing threats—from rising property values that displace local and creative communities, to the privatisation of public collections and the loss of informal public spaces to overregulation.",[],{"_key":4512,"_type":221,"children":4513,"markDefs":4518,"style":230},"d02a9b9e96ae",[4514],{"_key":4515,"_type":225,"marks":4516,"text":4517},"185889c53c3e0",[],"At the same time, patterns of cultural consumption are shifting, with networked technologies and mobility fostering a more transient, informal engagement with culture. 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Saunt ",[4776,4784,4792,4800,4808,4816,4820,4839,4847],{"_key":4777,"_type":221,"children":4778,"markDefs":4783,"style":230},"d27d4ae11219",[4779],{"_key":4780,"_type":225,"marks":4781,"text":4782},"3851ab4ef0950",[],"Orbits and Trajectories best describes the nature of the relationships that underscore the overarching findings in my PhD, and individual discoveries within it. As “Orbit Diagrams”, they offer a non-linear, spatial way to navigate issues and mutual encounters. They help to explain how actions coalesce to become acts of authorship – and how this operates within a creative, collaborative practice.",[],{"_key":4785,"_type":221,"children":4786,"markDefs":4791,"style":230},"90fd86ff488e",[4787],{"_key":4788,"_type":225,"marks":4789,"text":4790},"69827b5b72450",[],"This sense of push-pull is also embodied in the architecture that DSDHA makes and which, for the purpose of this study, has been termed ‘awkward’. In the past, it has been described by others as “dynamic instability”. We now confidently consider this quality to be a new form of beauty. It is designed to create a response, to be responsive, and to engage the wider world with architecture.",[],{"_key":4793,"_type":221,"children":4794,"markDefs":4799,"style":230},"7feb859e69fb",[4795],{"_key":4796,"_type":225,"marks":4797,"text":4798},"7103dbccc1860",[],"When we speak of beauty here, it is not in the usual manner of acknowledged design systems that assess how well a design conforms to set rules. Our search is for a ‘New Beauty’: there are no fixed proportional or material systems at play; there is no pattern book or set of principles to follow.",[],{"_key":4801,"_type":221,"children":4802,"markDefs":4807,"style":230},"2b2dbb4ba6e7",[4803],{"_key":4804,"_type":225,"marks":4805,"text":4806},"36ae92f41ca50",[],"Instead, our new idea of beauty is defined by an emergent aesthetic enquiry. Its qualities are about demonstrating certain attributes of the work through the work. New Beauty is active, rather than passive and is about creating work that allows the viewer to see it in a way that causes them to feel slightly interrogated, or provoked. The New Beauty that we are seeking creates a situation where the subject – the architecture – is actually answering back and raising questions in the viewer’s mind. This active mode of reception brings with it a kind of delight or moment of illumination for the viewer, even if this response occurs after an initial sense of confusion or feeling perplexed.",[],{"_key":4809,"_type":221,"children":4810,"markDefs":4815,"style":230},"32d63aa0f327",[4811],{"_key":4812,"_type":225,"marks":4813,"text":4814},"4538c9b8f8cd0",[],"The immediate sense of awkwardness or confusion can be created through a range of architectural choices. It can be based on a cultural disjuncture – for example, a place or building that challenges one’s preconceptions of what occurs inside it.",[],{"_key":4817,"_type":31,"asset":4818},"00ba13c50a4f",{"_ref":4819,"_type":34},"image-5060827fb87b1c24c53d525d26ff90116f1ace3f-2600x3798-jpg",{"_key":4821,"_type":221,"children":4822,"markDefs":4836,"style":230},"51d07be5bd92",[4823,4827,4832],{"_key":4824,"_type":225,"marks":4825,"text":4826},"a04b8d12ee350",[],"Orbits and Trajectories is the product of Deborah Saunt’s PhD with ",{"_key":4828,"_type":225,"marks":4829,"text":4831},"a04b8d12ee351",[4830],"c85b36726ef2","RMIT ",{"_key":4833,"_type":225,"marks":4834,"text":4835},"a04b8d12ee352",[],"University’s Practice Research Programme. RMIT’s programme redefines the structure of conventional doctorates by encouraging researchers to bring critical focus to their own creative practices as the primary source of their PhD.",[4837],{"_key":4830,"_type":824,"href":4838},"https:\u002F\u002Fwww.rmit.edu.au\u002F",{"_key":4840,"_type":221,"children":4841,"markDefs":4846,"style":230},"81f7e711edca",[4842],{"_key":4843,"_type":225,"marks":4844,"text":4845},"0d1ae3fa13820",[],"Using her experience of working as an architect and founding DSDHA to inform the research, Deborah’s PhD thesis observes how her creative practice operates both individually and collaboratively, ultimately demonstrating the ‘dynamic instability’ of architecture as an iterative process of spatial thinking and critical reflection.",[],{"_key":4848,"_type":221,"children":4849,"markDefs":4854,"style":230},"a7f65a4db5c6",[4850],{"_key":4851,"_type":225,"marks":4852,"text":4853},"7530f2774b140",[],"This piece of research has been influential in the evolution of DSDHA’s practice methodology, reshaping our internal design processes and the way we describe our role as spatial strategists—not just architects or urban designers, but active participants in shaping civic life and cultural meaning through architecture.",[],"2014-05-01",{"_type":317,"asset":4857},{"_ref":4858,"_type":34},"file-7663523540053ce58b30ef463e609a1da1fc5e36-pdf",[4860,4863,4865,4867,4870],{"_key":4861,"_ref":4862,"_type":324},"45aee0fae06f","f4ce695a-87d4-432e-9f7c-87e062efb1a1",{"_key":4864,"_ref":3040,"_type":324},"1b7f5ff89c62",{"_key":4866,"_ref":3467,"_type":324},"9e5375576c1f",{"_key":4868,"_ref":4869,"_type":324},"ce8b04ef3f83","fb6648d0-b64c-45ae-af9d-7ead4ebca530",{"_key":4871,"_ref":2594,"_type":324},"c139bd746c37","Deborah Saunt PhD, 2013 RMIT","Orbits and Trajectories: Why Architecture Must Never Stand 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accessibility and space for pedestrians",[],{"_key":4930,"_type":221,"children":4931,"markDefs":4936,"style":230},"9a67aa2133da",[4932],{"_key":4933,"_type":225,"marks":4934,"text":4935},"c90454cf268e0",[],"At present, the pavements surrounding the Royal Albert Hall are too narrow for the millions that currently use them. The new design proposes to eliminate congestion points by increasing the amount of space for pedestrians by: the relocation of parking, the reduction of street clutter and the better use of road space for traffic to create this new destination. In conjunction with highway improvements, a new, fully-accessible pedestrian crossing is proposed that will eliminate the double-kerb condition on the park side, reconnecting Hall and Memorial. This accessible agenda is continued into the park, with new, sweeping paths leading visitors on a journey to the Memorial. Integrated steps and ramps will maximise the potential of this south-facing site by creating a landscape of connected spaces, which are inclusive, accessible and inspiring.",[],{"_key":4938,"_type":221,"children":4939,"markDefs":4944,"style":3507},"03faea951f54",[4940],{"_key":4941,"_type":225,"marks":4942,"text":4943},"768853fc88e20",[],"Highways Improvements",[],{"_key":4946,"_type":221,"children":4947,"markDefs":4952,"style":230},"cfb7a43c8636",[4948],{"_key":4949,"_type":225,"marks":4950,"text":4951},"7d9dfb2f23e40",[],"By narrowing Kensington Gore, removing barriers and improving the balance between pedestrians and traffic, the proposals will lead to lower speeds and greater safety in front of the Hall. High-quality paving materials, better lighting and the addition of traffic islands featuring public art will create a dignified public realm, appropriate to its setting.",[],{"_key":4954,"_type":221,"children":4955,"markDefs":4960,"style":3507},"4b81fb8998ac",[4956],{"_key":4957,"_type":225,"marks":4958,"text":4959},"927a6b58ecdc0",[],"Realignment of the park",[],{"_key":4962,"_type":221,"children":4963,"markDefs":4968,"style":230},"b1be0fcd6df9",[4964],{"_key":4965,"_type":225,"marks":4966,"text":4967},"47e7d531c73b0",[],"The area around the Albert Memorial is a natural ‘waiting room’ for visitors to the Hall, yet historic boundaries between Hyde Park and Kensington Gardens have meant that this swathe of park has become disconnected from both. Whilst historically part of Hyde Park, the Memorial is currently operated as part of Kensington Gardens, making it inaccessible after dusk. A realignment of the park’s boundary is proposed to allow extended hours of use, as currently enjoyed by the Serpentine Gallery, creating a new destination for temporary cultural events that would complement the successful summer pavilion programme and expand the Hall’s existing schedule of events.",[],{"_key":4970,"_type":221,"children":4971,"markDefs":4976,"style":3507},"8aab97c10f65",[4972],{"_key":4973,"_type":225,"marks":4974,"text":4975},"08f061d5d4be0",[],"A re-imagined landscape",[],{"_key":4978,"_type":221,"children":4979,"markDefs":4984,"style":230},"2ab213c2b8a9",[4980],{"_key":4981,"_type":225,"marks":4982,"text":4983},"40d8061c9aec0",[],"The area of the park surrounding the Albert Memorial is re-imagined as a meaningful landscape of connected spaces that could support a huge variety of uses and activities. Views will be opened up towards Kensington Palace and the Serpentine Gallery to reinforce the site’s connection to the rest of the park. Existing activities, such as roller skating, will be retained, whilst cafe facilities will be expanded to meet the evident demand. The realignment of the park boundary will establish a new cycle route to the north of the Memorial, creating a safer environment in which to enjoy the Hall.",[],{"_key":4986,"_type":31,"asset":4987},"ffe972dc1689",{"_ref":4988,"_type":34},"image-e7e1cfe36a5e8eed2037b2bd87360b35c3cc028d-1600x1131-jpg",{"_key":4990,"_type":221,"children":4991,"markDefs":4996,"style":230},"3dc5d5bf99e6",[4992],{"_key":4993,"_type":225,"marks":4994,"text":4995},"53e1898a0d900",[],"In February 2010, Deborah Saunt, founding Director of DSDHA, was awarded the Research Fellowship in the Built Environment by the Royal Commission for the Exhibition of 1851. Awarded biennially, this year’s Fellowship supports an intensive research programme to develop conceptual ideas and a long-term vision for the Commission’s legacy estate in South Kensington, specifically the area around the Royal Albert Hall, building on an earlier scoping study funded by the Commission. The work has been carried out in parallel with the major development of Exhibition Road, led by the Royal Borough of Kensington & Chelsea, and its identification as a Cultural Quarter for the 2012 Olympic Games.",[],"2010-01-01",[4999],{"_key":5000,"_ref":4030,"_type":324},"171b3cbe0ada","1851 Royal Commission","Re-imagining the Albertopolis","Discourse"]